Posts Tagged ‘00′s’

All Hail, Alan Rickman

Sun ,22/08/2010

What is it about Alan Rickman that rocks? Well, for starters I think I’ve liked nearly every movie he’s in (or at minimum, his part in it). Despite being ‘genetically predisposed’ to like Galaxy Quest in being a big nerd – I could only put up with the first half hour or so. However, Alan Rickman’s bit as an alien with the catch phrase (‘By Grapthor’s Hammer’) uttered both at critical plot points – and at the grand openings of car lots – is TOO classic.

Who else goes from German terrorist (Die Hard) to guardian angel (Dogma) to sarcastic, doomsayer robot (Hitchhiker’s Guide to the Galaxy) to Professor Snape (not all the HP movies have near enough of him in them, but most have a good amount :) )?

I think it’s the combination of subtle, voiced exasperation, sarcasm without even trying, and just his mannerisms that do it for me. The guy just cracks me up!

candybowl

Ricky Gervais podcasts

Thu ,19/08/2010

So another fun thing we did while camping (see previous post) is during transit time between campsites, we listened to the Ricky Gervais Show podcasts (these are now about 5+ years old, methinks) while driving. They just debuted recently in animated form on HBO, but the original podcasts are slightly better, and longer (they edited some of the content out of the HBO versions).

So if you haven’t heard these yet, you can get them for a nominal fee on iTunes or Audible.com. They are really funny, especially the Monkey News segment in each ‘cast. Apparently they are up to 5 seasons of them – we were only listening to the first…. Enjoy!

candybowl

Ahhh…Initial D….

Sat ,26/06/2010

As seen elsewhere on this blog, i’ve become a fan of anime in the past several years. I think there’s several reasons:

a) I’ve always liked animation, whether movies, TV cartoons, and in many cases, even ads;

b) the diversity of animation just keeps on getting better and more interesting, even if increasingly computer-based. Of course, just as seen in video games over the past 15-20 years, there is no substitute for actual plot, good writing and coherent themes with good character development. The best looking animation(s) can still end up boring and predictive without them (yes, Appleseed Ex Machina – I’m talking to you!);

c) I think in part anime is also interesting because so often the characters are written in a more over-the-top sensibility (certainly every Initial D episode i’ve ever seen qualifies on that score, but many others are right behind) and often have characters act as if they are in ‘life or death’ struggles (which in many cases isn’t true, but they act that way anyway).

d) Anime just has a different take on things. It’s not usually glorified sitcom situations or plots (at least not the anime I watch) and often has crazy inclusions for characters (Poipodor in Mars Daybreak comes to mind) or fantastical futures that all but make no sense (IGPX) but somehow still manage to entertain.

Which brings me to Initial D. This is an anime series about a school kid living in Gunma province in northern Japan, whose father runs a tofu shop and is an ex-street racer. The father, Bunta, subtly encourages this trait in his only son by having him deliver tofu to several accounts in the early morning over a mountain pass. The kid, Takumi Fujiwara, is fairly dense but seems to have a talent for racing and surprises older 20-somethings who race more seriously. In the first several series, we see Takumi’s talents develop until he’s the equal or better of most other racers in the area and beyond. In Stage 4, ‘Project D’ – he’s now become part of a traveling race team led by a former rival, Ryosuke Takahashi, who dreams of conquering japan’s many mountains and street racing teams with his brother Keisuke and Takumi as the two ace racers on the Project D team. They travel around Japan, challenging team after team in tough and varied races.

What’s appealing about this series is as mentioned before – the characters take themselves VERY seriously, which in some cases comes across as laughable but endearing in a way. You’d think the world would end if this kid doesn’t win a given race by the way they act in posturing against each other up to and during each race.

Also cool is simply the thought of blasting down mountain roads in souped up cars at clearly WAY illegal speeds – watching it on animation is about the only way i’d ever do THAT – I don’t like driving SLOW on cliffside roads – ask kerewin about that one when we were driving around on Crete or Santorini last fall!

Also amusing is how no matter where they go, everyone (racer-wise, anyway) knows about them and keeps putting the best racers up against them. Yet no cops ever show up to THROW THEM IN JAIL for such blatant mountain-racing at nearly every mountain pass they encounter? This was amusing in Wangan Midnight too – although in that series they are largely blasting around highways IN THE CITY at ridiculous speeds but also apparently immune to police (or at least, invisible)?

Anyway, Initial D is pretty entertaining – don’t expect detailed character development or much valid social commentary – it’s pretty focused on one thing, blasting down mountain roads in the middle of the night. But it does a good job of handling that story over and over. Hoping there will ultimately be a Stage 5, but time will tell…..

candybowl

NW Pinball and Gameroom Show, part deux

Sun ,20/06/2010

Well, it’s over for another year. And it was a big success (again). Not only did we have more games on the video side – we had several more vendors on the pinball side, a great series of seminars, and seemingly lots more word of mouth (definitely more social media and related online promotion/podcasts/etc. too).

Here’s some of the results – take a gander!

Video from the show floor;

Additional video walk-thru’s during the show;

Review from the ‘Seattlest‘ blog;

The Stranger’s SLOG review;

Seattle Weekly slideshow;

Seattle Times article;

Seattle Times show video;

Online photo galleries: here and here;

Dave Okert’s SMAC photo gallery (mostly video side of show);

candybowl

Ratatouille!

Sat ,22/05/2010

It’s no secret Pixar makes great movies. Even their ‘mediocre‘ movies (by Pixar standards) are still a notch above regular theater fare these days. But there are a few that really stand out – both of Brad Bird‘s movies – The Incredibles and Ratatouille, certainly qualify.

Just watched Ratatouille again last night – what an enjoyable movie. The animation is yet again excellent (witness the ‘Remy goes down the sewage pipe on the cookbook’ sequence) – the characters are well-developed, and as per usual, there are a few surprises along the way.

As everyone likely knows by now, Ratatouille is the story of Remy the (country) rat in France who dreams of being a foodie and cook, despite the challenge of (in reality) being a garbage-eating rat. He makes it to Paris by virtue of a local kerfuffle created by himself and his brother Emile, and shortly connects with a poor ‘garbage boy’ simply trying to survive as a janitor in a formerly 4-star restaurant on its downhill slide. The result is a great story, with all the typical Pixar goodness to go with it.

Fave scenes and actors/characters – Peter O’Toole as the kingmaking, snobby food critic Anton Ego; Janeane Garafolo/Colette explaining (through the expert use of BIG knives) how to get ahead as a female French chef; the method used to prep Remy’s rat clan to help in the kitchen; and most of all, when Anton Ego tastes the ratatouille served him (special mention: his review of the food the next morning).

Like all Pixar movies, there are so many little nice touches along the way, it would be tough to list them all (and that’s part of the fun of rewatching them anyway). But one comes to mind, anyway – the ridiculous amount of old Citroen’s and 2CV’s driving around on the streets – I’m sure there are still a lot of them, but like vintage Beetles in the USA – they are getting a lot fewer and far between these days – sad…

One last comment – something I also really like about Pixar is that they aren’t afraid to have true emotion in their movies. The recent Up being a classic example – the montage where Ed Asner’s character’s life is shown in fast-forward review – VERY sad! Or in both Toy Story movies, there are nostalgic looks back via Randy Newman music in the background – again, definitely a human perspective. In Ratatouille, the scene with Remy’s dad showing him WHY humans are a dangerous lot to tangle with – pretty disturbing – but also why these movies are for the whole family, not just kids and not just adults. Well done, guys.

Anyway, watch and enjoy!

candybowl

What is a ‘generation x’ anyway?

Thu ,13/05/2010

Saw this in today’s NY Times and it got me thinking – what is a ‘generation x’ anyway?

First, there are a lot of big words in the first few sentences and beyond. Far be it from me to castigate anyone about using an overabundance of enormous, hyperpretentious and likely overreaching words when a simple piece of profanity will otherwise do – there are still many I don’t understand in here.

It reminds me of an otherwise horrible book about Smashing Pumpkins (the band I like, Billy Corgan, a.k.a. Bat Boy, I can do without) that had so many big words rammed into the first 5 pages I couldn’t even finish the foreword without retching – back to the library (and for once, on time!) it went.

but back to the article. I will have to look at the underlying book they are indirectly reviewing here – ‘The Ask‘ – never heard of it or the author. But then they mention the much-despised (by me) Douglas Coupland who coined ‘generation x’ in the first place. Thanks, El Doo-shay – we’ll never live that one down. I had a roommate in college who was obsessed with that book, which naturally I read at one point and have loathed ever since.

What’s very spot-on in this article is the repeated slams on our aging 40-something sense of cool (“fake-vintage rock ’n’ roll T-shirt and thick-framed glasses”), the constant need for pop-culture-quip-meets-relevance in our daily conversations, and calling out John Cusack and Ben Stiller as movie archetypes of our generation. There are others, but these will serve quite well (and Lloyd Dobler loved Fishbone, so there!). I haven’t seen Greenberg yet, but will definitely have to now.

Also – the article implies/hints at the marked difference between compatriots of mine who have had children (and thus, being responsible adults, had their priorities completely adjusted for them by reality) rather than the self-indulgent ‘high drama’ I seem to have mastered of late. Or maybe not of late – maybe for way too long? Dunno.

this quote is telling:

“But what if you never gave up adolescence in the first place? What if you donned the binding garment of maturity only tentatively, and accessorized it with mockery, as if it were a hand-me-down from Grandpa or an ugly shirt plucked from a used-clothing rack? And what if, from the start, your youthful rebelliousness had been a secondhand entitlement, without a clear adversary?”

As someone who still revels in ‘sticking it to the Man’ (regardless of what form, major or minor, that takes, even if only a delusional metaphor many days) this sticks pretty well. If you are middle class, grew up in a suburban-style town, went to public school, went to college, etc. and now have a job that pays the bills – barring chronic illness or some sort of major tragedy – what do you have to bitch about? So where’s my ‘adversary?’ I’m not going to answer that, if you’ve been around me more than 10 min. you already know at least one :) – but one thing is certain – even in going to graduate school, i’ve never connected with ‘suit society’ – and it’s only due to luck (being in the tech industry with its -shall we say ‘loose’ – theories of proper dress and hygiene) that i’ve largely avoided it as an adult. Being on the West Coast doesn’t hurt either. So maybe I never did grow up? Again, dunno.

Is this rambling getting anywhere? Back to the article – in talking more about the main character of The Ask – this quote sums it all up, doesn’t it?

……“If I were the protagonist of a book or a movie,” Milo says to his onetime boss, “it would be hard to like me, to identify with me, to like me, right?” The response is devastating: “I would never read a book like that, Milo, and I can’t think of anyone who would. There’s no reason for it.”

Wow. the above reminds me of Woody Allen’s classic Annie Hall quote about his relationships “I would never want to belong to any club that would have someone like me for a member.” Boom!!!! or the more modern version, from the (other) spokesman for our generation, Homer Simpson – and his attempts when a kid to join the ‘No Homers Club’ – Sad, but effective use of plurals, that.

What was the original point again? That someone wrote a book summing up ‘modern 40-something’ – yet most of us it describes don’t want to read it? Or that we are simply beginning to reach the midlife angst felt by others before (and will be felt by ‘millenials’ someday – ha – suck it!) and we 40.x still can’t deal with it.

Who knows? Interesting to ponder, though. And for those in the same age group who parade around like they’ve got it figured out – ha! I fart in your general direction! Your mother is a hamster and your father smelled of elderberries! The point is, they’re kidding themselves too – which based on the Bill Watterson book I literally just finished reading – gives me that evil, evil Calvin grin…muhhahaha!

So in summary, if you can find real meaning in the above, I have some beach property in Tibet that I’ll sell you for a song… :)

candybowl

Speed Racer – a pleasant surprise….

Wed ,28/04/2010

So finally saw Speed Racer (the 2008 live-action version, not the original 60s anime) tonight. When this movie came out, I was definitely interested in seeing it, but then many reviews were middling to bad, so I didn’t. The Wachowskis are somwhat polarizing filmmakers these days, and have a lot to live up to (and live down) after the Matrix series went from excellent (1st) to good (2nd) to somewhat mediocre (3rd). But V for Vendetta was also excellent (IMHO), so whatevs – most other filmmakers would be completely jealous to have only a *couple* of those movies in their CV, after all.

Anyway, this movie takes in a lot of the original anime’s plot devices (yes, Chim-Chim is here) and I was definitely pleased to see a scene where they go through all the Mach 5′s special devices (but they never used the Ctrl-G ‘Homing Bird’? They used to use that all the time in the anime!). Racer X of course is key to the plot, and he doesn’t disappoint, either. The look of the cars varies from ‘shiny Hot Wheels surrounded by CGI’ to semi-real looking (when the humans are in them or driving them on “normal” streets).

The movie itself owes a LOT to Pixar (Monsters, Inc and The Incredibles most notably for the factory scenes and the Racer family neighboorhood/house/school/etc.). It also definitely takes from at least two PS2 videogames I own – Kinetica (robot battle-racing) and XG3: Extreme-G Racing (hyper-powered motorcycles with weapons) – both games are played on crazy tracks that soar up/down/multiple dimensions/aerial/underwater/you name it. Props must also be given to drift racing/dirt track racing in general (given the way they drive the cars almost horizontally a lot of the time) and the old standby – Initial D, which I’m sure the Wachowskis have watched at least most of. In the big rally race mid-movie, some of those crazy mountain races look a LOT like the way Initial D shows its crazy mountain racing (the latter’s animation being far more primitive, however).

Finally, there is a lot of IGPX here too (a recent anime from 2005) in the look and feel of the racetracks, especially the Fuji race – and the battling between the cars during the race.

As you’d expect, the races themselves are very well done and crazy to watch, and the movie doesn’t try to oversell the characters, either – unlike the mostly cheesy Racer family seen in the anime. I would say the Racers are as appropriate for the story as The Matrix’ characters – without the speechmaking every 15 minutes by Morpheus of course :) . What was a bit sad was that actor Emile Hirsch (who plays Speed) was BORN the same year I graduated from high school – DOH! I guess you can’t win them all. The usual anime ‘challenges’ confront Speed and the rest to varying degrees – *almost* insurmountable odds, increasingly maniacal opponents, crisis-whew-bigger-crisis-whew, etc. – But it moves along fairly well and has a bit of fun even with camera asides in a few tiny scenes.

In summary, I was far more entertained by this movie than say, Avatar – even though the latter is of course way more advanced effects-wise. Even having seen some of the SR anime before as a kid (probably 30+ years ago) didn’t really spoil anything. This is a great movie, and i’d definitely see it again on the big screen (Cinerama or midnight movie at The Egyptian, anyone?) I watched it this time at home on my computer……

candybowl

LEGO videos, part deux

Sun ,18/04/2010

more LEGO video fun – these are all music videos – but surprisingly, they missed The White Stripes one (see earlier post)?

enjoy

candybowl

Mas por la musica!

Mon ,05/04/2010

Haven’t blabbed about music in some time, so here goes. What are people listening to? Of late, I’ve actually tried some new(er) bands out – since I never listen to the radio, and don’t drive very much – I tend to rely on album reviews from The Stranger, The Weekly, occasionally Willamette Week, or random articles from the ‘Net as they come along. Some good stuff of late includes

People Eating People (seattleite too!);
Fruit Bats
Le Loup
Blue Scholars

and for the old school, have been getting back into Saga (sorry, Kirk :) ) and even good ol’ Wall of Voodoo. gotta love Stan Ridgway!

tried (and failed) – Owl City – but this review is way harsher than I would have been – I just thought he was too derivative of the original synth bands first time around.

candybowl

Animation + Legos = cool

Fri ,02/04/2010

Generally speaking, I’ve loved animation since well, forever. Over the past several years, besides the rise of Japanese anime in US pop-culture, another worthwhile offshoot of animation has been a variant of (arguably) good ol’ claymation - except with Lego bricks. Saw this Lego Matrix homage today, reminded me of the White Stripes Lego video of several years ago – enjoy!

candybowl